Alexandre Dumas - Captain Pamphile
Actually, yes, the two loving stories, on the one hand, in Paris, the painter Decamps and his roommates with some animals, spinning history and also told the story of Captain Pamphile. Initially, directly related to the acquisition of some the animals (the monkey and the bear Jacques I. Tom), but then to some extent become independent and not directly related to the other story, yes, they even hijack normal.
In the Parisian history, the animals are acquired, then right at the beginning of the turtle Gazelle as it were saved from the soup pot of an Englishman who Fröschin Mademoiselle Camargo is the meager yield of the hunt, the monkey Jacques rather the remains of a fighter - his mother is shot dead and the pregnant mother of the bear runs to Captain Tom Pamphile. And they all die. Humorous all, if you like the bitter humor. The summary executions of the bear Tom, who is against the Militia out of fear is not to defend, or from monkeys (Jacques II) grilled turtle, allegedly in revenge because they Jacques I, who died from the after-effects of his own greed, predation, the last carrot and then lying on his back in the furnace was made.
hits here and there it is found that lead particles arrive in force animals to humans: It can not get upset, but otherwise it's an old saying for Paris hunters, which states that the lead of man is friend. Accordingly, I have three friends on my part that I missed a fourth in the leg has. (31)
also furious is the career of Captain Pamphile - from mindless big-game hunting, in which he proves to be a true man of grit and a lot of shot (he is the way of Marseilles, and a descendant of Hercules), war profiteering between African tribes, the unscrupulous deadly punishment of crew members, the trade in slaves, to his final grand larceny: the Misleading of an Empire in America, on the Mosquito Coast, the property deed he has yet acquired exchange for alcohol actually, and the exploitation of many emigrants who spend all their belongings, to get there emigrate . An amicable career, that he first stone, as prior to joining Pirate, has settled with his activities as a law clerk. It is significant then the little outlook on the future career of Captain Pamphile: he puts his capital to build an industry.
Somehow the frustrating, all life ends, and ends at the end of all hope of winning with incredible self-evident, which is absolutely unscrupulous and large capitalist. The book is so like real life, a little bit more brutal (even though the doctors now recommend other than the bleeding) pass, a lot more fun and wonderful for many intertextual references. Not only to pirates and adventure novels ansich, even to many contemporary works and also the myths of classical antiquity.
(31 [The lead, the philanthropist], 46 [Captain Pamphile], 48 [Marseille -> Hercules] 56 [Mademoiselle Camargo], 62 [drunken monkey], 68 [Jacques kills the Kakadu], 79 [runs away before the bear], 83 [to bear on Masked Ball], 91 [Map & money around his neck], 103 [Captain Pamphile is] on board, 122 [the winged Manna], 165 [Pamphile throws Maat ] on board;. wg 172 [disease too much color] 176 [concupiscence of the heirs] 178 [turtle from the monkey] grilled; 189 [tail] as a corkscrew, 193 [drunken monkey finds its Tail], 203 [the eradication of piracy], 211 [before it was Pirates, he was] solicitor's clerk;
220 [The subordinates were] faster, 230 [is] king / cacique, 233 [Double-Bouche], 236 [English with Provencal accent], 245 [but] all fraud; 267 [Pamphile kidnaps the story])
Sunday, March 28, 2010
Monday, March 22, 2010
Flip Cam Dofference Mino Ultra
Jürgen Becker - The history of the separations Mário de Sá Carneiro-
The history of the late sixties Jörn Winter is a tale of separations. The early 30's born in the Rhineland, he experienced his youth in "Central Germany", in Brandenburg and in Erfurt, where his mother died in 1946. Later, after her death, he returns with his father into the Rhineland, and remains in the "West" to the fall of the Berlin Wall.
From his childhood fascinated, interested in the other Germany, Jörn travels again in the East. Not as strange fascinated Western reporter who seeks any tales of woe or simply bold statements, but an end to an interested, eager, separation, by utilizing the bridge as a common past, his youth and childhood. The course was already separation - separation from the dog who died in the separation of his parents, his isolation room in which a Russian officer was quartered, separation of the Hitler Youth, separation from friends who disappeared ... The separation of East Germany, which he left with his father after the death of his mother, is it still the one the closest to the division into two German states led. So is the question of why he was the Westerner, not far - because war and childhood in the East were, because his mother drowned, because his father wanted to go, his thinking as a professional engineer, his company in the Rhineland? Jörn therefore hardly an active decision. But just from the waiting out can be so after many ask why:
because they have, the British, the Americans, until recently terrorized the civilian population for years, but when they came into the kaputtgebombten cities, they were equal to the new friends of which was allowed to steal the whole course, the cameras, watches, Canned. But if the Russians took out the right of the victor ... (272)
The question is not answered, it could be so only by referring to continuities answer (anti-communism, racial ideology ...). In fact, not fit into the novel when it comes to separation. And for reconciliation. He reconciled with the East Germans, the East German landscape, with East West in general - just as did his step-mother reconciled with his mother, as she brought her flowers. Only that the exact day of death and the mother was.
(11 [Goyatz: destination], 14 [mother drowned before 50 J.], 23 [in 40 years no longer divided], 35 [Prora KdF]; 57 [if the Ami does not come, then we go], 63 [The Munich Agreement -> to Erfurt pulled], 77 [for the first time in the GDR] [? Reunite what do you mean equal to] 81, 102 [The desire to fly]; build 143 [network] 154 [Edelweiss Pirates / Father Party member] 160 [Uniform at school], 195 [The one and] the other country in D, 223 [The dead must be], 235 [foreign workers displaced persons], 244 [atrocity propaganda -] Russians, 251 [do not want to leave], 260 [hatred of the Germans], 272! [Amis may not Russians], 301 [as thinking of the engineer], 302 [long way], 310 [Could be here at home], 334 [mother / stepmother Reconciliation = BRD / DDR?])
The history of the late sixties Jörn Winter is a tale of separations. The early 30's born in the Rhineland, he experienced his youth in "Central Germany", in Brandenburg and in Erfurt, where his mother died in 1946. Later, after her death, he returns with his father into the Rhineland, and remains in the "West" to the fall of the Berlin Wall.
From his childhood fascinated, interested in the other Germany, Jörn travels again in the East. Not as strange fascinated Western reporter who seeks any tales of woe or simply bold statements, but an end to an interested, eager, separation, by utilizing the bridge as a common past, his youth and childhood. The course was already separation - separation from the dog who died in the separation of his parents, his isolation room in which a Russian officer was quartered, separation of the Hitler Youth, separation from friends who disappeared ... The separation of East Germany, which he left with his father after the death of his mother, is it still the one the closest to the division into two German states led. So is the question of why he was the Westerner, not far - because war and childhood in the East were, because his mother drowned, because his father wanted to go, his thinking as a professional engineer, his company in the Rhineland? Jörn therefore hardly an active decision. But just from the waiting out can be so after many ask why:
because they have, the British, the Americans, until recently terrorized the civilian population for years, but when they came into the kaputtgebombten cities, they were equal to the new friends of which was allowed to steal the whole course, the cameras, watches, Canned. But if the Russians took out the right of the victor ... (272)
The question is not answered, it could be so only by referring to continuities answer (anti-communism, racial ideology ...). In fact, not fit into the novel when it comes to separation. And for reconciliation. He reconciled with the East Germans, the East German landscape, with East West in general - just as did his step-mother reconciled with his mother, as she brought her flowers. Only that the exact day of death and the mother was.
(11 [Goyatz: destination], 14 [mother drowned before 50 J.], 23 [in 40 years no longer divided], 35 [Prora KdF]; 57 [if the Ami does not come, then we go], 63 [The Munich Agreement -> to Erfurt pulled], 77 [for the first time in the GDR] [? Reunite what do you mean equal to] 81, 102 [The desire to fly]; build 143 [network] 154 [Edelweiss Pirates / Father Party member] 160 [Uniform at school], 195 [The one and] the other country in D, 223 [The dead must be], 235 [foreign workers displaced persons], 244 [atrocity propaganda -] Russians, 251 [do not want to leave], 260 [hatred of the Germans], 272! [Amis may not Russians], 301 [as thinking of the engineer], 302 [long way], 310 [Could be here at home], 334 [mother / stepmother Reconciliation = BRD / DDR?])
Tuesday, March 16, 2010
Kramer Vanguard Fr-440
- Lucio's confession
The writer Lucio Vaz is an artist of the fin de siècle "appropriate. When he the poet Ricardo de Loureiro in Paris, both of their beloved city, meets, develops a deep friendship. When they meet again in Lisbon, lived with Ricardo Marta. The same holds if covered her past remains, which also returned to Lisbon Lucio, a mystery. Between Lucio and Magda kindled an affair, in keeping with the previously met in Paris artistic pleasure. However, when it decreases the frequency of meetings, as in Lucio matures the assurance that Magda has other lovers, he is tormented by doubt and jealousy. Especially because he still learns nothing from her, and he therefore also can not withdraw to the status of the first lover. This, for him, that the non-noticing the affairs by Ricardo, converts his feelings towards him in contempt because of his seemingly lack of pride, later moving to Paris. When he accidentally found then returns to Lisbon and Ricardo met by chance one day, he makes his feelings. Ricardo, horrified asserts that he has done so only out of love for Lucio - goes with him to his house and shoots Magda. Interestingly, however, is dead before Lucio Ricardo himself
is this love triangle. If it's an - and unless behind it not just a homosexual relationship between Lucio and Ricardo hides. The option is not the only reason why open because Marta remains only vaguely, and in the memory configured Lucios which he writes down after ten years in prison. It is also so open because Lucio himself has his doubts about the femininity Marta's because he kisses the two (the end) than the same feel and because Ricardo has indicated that it is only in a change of sex in fact a relationship with a person of the same sex might lead. Lucio could have done it, but they have to some extent displaced and the spare figure of Marta have created - so it would even death at the end, can be explained as a murder at the end.
Or the whole thing is just an experiment, Ricardo, complete control over a woman, in a way even the identity with it, the other he will be given to suggest - a way to control these. Such indeed find itself in de Sade.
With this permanent uncertainty about the true relationship in the novel, but this is interesting. The uncertainties in addition to permanent suicidal hints let him appear even more uncertain than the whole picture beautiful. Oh ...
(14 [literary features -> Selvagismo], 23 [own contempt]; 29ff [lust-art], 35 [the beginning of friendship with Ricardo] sleep 45 [can];] Switch 59 [sex, 61 [expression of life], 73 [ Marta disappear] in the chair, 86 he [should have said that it is not reflected], 91 [not there -> not] alive, 127 [the last work] into the fire, 131 ["We are we-both!" ], 135 [shot himself], 141 ["it still gives me"])
The writer Lucio Vaz is an artist of the fin de siècle "appropriate. When he the poet Ricardo de Loureiro in Paris, both of their beloved city, meets, develops a deep friendship. When they meet again in Lisbon, lived with Ricardo Marta. The same holds if covered her past remains, which also returned to Lisbon Lucio, a mystery. Between Lucio and Magda kindled an affair, in keeping with the previously met in Paris artistic pleasure. However, when it decreases the frequency of meetings, as in Lucio matures the assurance that Magda has other lovers, he is tormented by doubt and jealousy. Especially because he still learns nothing from her, and he therefore also can not withdraw to the status of the first lover. This, for him, that the non-noticing the affairs by Ricardo, converts his feelings towards him in contempt because of his seemingly lack of pride, later moving to Paris. When he accidentally found then returns to Lisbon and Ricardo met by chance one day, he makes his feelings. Ricardo, horrified asserts that he has done so only out of love for Lucio - goes with him to his house and shoots Magda. Interestingly, however, is dead before Lucio Ricardo himself
is this love triangle. If it's an - and unless behind it not just a homosexual relationship between Lucio and Ricardo hides. The option is not the only reason why open because Marta remains only vaguely, and in the memory configured Lucios which he writes down after ten years in prison. It is also so open because Lucio himself has his doubts about the femininity Marta's because he kisses the two (the end) than the same feel and because Ricardo has indicated that it is only in a change of sex in fact a relationship with a person of the same sex might lead. Lucio could have done it, but they have to some extent displaced and the spare figure of Marta have created - so it would even death at the end, can be explained as a murder at the end.
Or the whole thing is just an experiment, Ricardo, complete control over a woman, in a way even the identity with it, the other he will be given to suggest - a way to control these. Such indeed find itself in de Sade.
With this permanent uncertainty about the true relationship in the novel, but this is interesting. The uncertainties in addition to permanent suicidal hints let him appear even more uncertain than the whole picture beautiful. Oh ...
(14 [literary features -> Selvagismo], 23 [own contempt]; 29ff [lust-art], 35 [the beginning of friendship with Ricardo] sleep 45 [can];] Switch 59 [sex, 61 [expression of life], 73 [ Marta disappear] in the chair, 86 he [should have said that it is not reflected], 91 [not there -> not] alive, 127 [the last work] into the fire, 131 ["We are we-both!" ], 135 [shot himself], 141 ["it still gives me"])
Monday, March 15, 2010
Mount And Blade More Than 100 Troops
folding ...
... I'd quite like me. But the plaster is not just the knee in the way - again and again every day and every night again annoying as much a limit that. Not only in mobility, but that's why even in our own activities. Sheer chronic discomfort so I lack almost all the momentum. Even though I have now started at least one of the many things to write by and by possible Museums and memorials for my internship in the summer. Not so easy to find those that would interest me too - even locally I have there currently so ne certain limitation: I'd like to go somewhere where I'm still not used to, but anyone should, I lived in the city (well) would like to know if I stay there NEN few weeks. Would make it easier ... But look. Otherwise
I'm really excited times a week to post. The Zu-/Absage the Hans Böckler Foundation NEN scholarship is to come this week. Ah, would already be nice if I NEN few thousand euros less debt at the end of my studies would have ...
But as of today: perhaps I'll get after calming week "rest" it then but that I look at the things I've made up my mind (to take care of training, learning Russian on, stack literature work off a little) to make still can. The embedding
... I'd quite like me. But the plaster is not just the knee in the way - again and again every day and every night again annoying as much a limit that. Not only in mobility, but that's why even in our own activities. Sheer chronic discomfort so I lack almost all the momentum. Even though I have now started at least one of the many things to write by and by possible Museums and memorials for my internship in the summer. Not so easy to find those that would interest me too - even locally I have there currently so ne certain limitation: I'd like to go somewhere where I'm still not used to, but anyone should, I lived in the city (well) would like to know if I stay there NEN few weeks. Would make it easier ... But look. Otherwise
I'm really excited times a week to post. The Zu-/Absage the Hans Böckler Foundation NEN scholarship is to come this week. Ah, would already be nice if I NEN few thousand euros less debt at the end of my studies would have ...
But as of today: perhaps I'll get after calming week "rest" it then but that I look at the things I've made up my mind (to take care of training, learning Russian on, stack literature work off a little) to make still can. The embedding
Thursday, March 11, 2010
Best Color Shampoo 2010
Umberto Eco - Foucault's Pendulum
criminal history is summarized ansich quite short: three Milanese publishing editors are concerned, due to some change in the publisher program, comprising of secret societies, Conspiracies and esoteric. Based on a few points, with the extensive reading of published works to date, they created out of a newly discovered document, the discoverer seems gone, and with great joy literary work, a new world history. A world history of the conspiracy and mystery. The core of this accumulated history of secret societies, is a six hundred year plan of the Templars, divided into 5 section a 120 years, will be at the end of the re-discovery and exploitation of the navel of the world. Had not one of them, then killed as a result, lector, had Belbo, no desire to carry this great plan to be seen to do, so nothing had happened. But the plan is taken seriously, Belbo blackmailed, coerced, abducted to the final secret - the point of the navel, he did not know of course - to disclose. He is murdered, while his colleague while watching Casaubon alphabetic escapes from the secret societies and flees to the thinking of their great plan.
Another story is that of childhood Belbo, who was at the end of Italian fascism in his youth. Too young to participate this round, and not-participate in the freedom struggle of the partisans and regrets to his then-youthful, indifference is deliberately modest. It is this also results in reference to the establishment of the great plan and also in other areas of life, to feel that he is under of evidence and has the irresistible urge to finally triumph of truth and thus a better sense of its own accord. He succeeds when he says "no", the slopes immediately forthcoming. And yet he had succeeded in its infancy, already, albeit on a different level.
And everything depended on Jacopo, he needed to sell only to loosen the thread, and the sun would have jumped off like a ball, and with it the day and the events of that day, this phase without action, this sequence without before and After that expired motionless, just because he had the power to do so and it to do so. (743)
Based on these stories - and the likelihood of these secret sects - this is irredeemably search for knowledge. Which indeed underlies it going to be more of knowledge must, as it is known. That the world, the individual events of history, closely linked to, so they make sense. If yes, the classic hubris. It is about creating the opportunity to acquire knowledge and understanding - especially in spite of, always, lack of comprehensive and accessible information. After all, the mystery of a sort of glow on the edge of consciousness, an idea is that one has - and behind the one great thought. Equally, however, and it shows in the book by killing Belbo, one fears the loss of one's own purpose in life, if one were to actually decode the mystery.
Although me the extent of Umberto Eco's novels always be some hesitation, to begin to read, I never regret it, at least. On the one hand because of the numerous intertextual references and the bonds and to other works and events. On the other hand, because of the extensive integration into the historical context - in this case, the context of the disintegration of the political left (not only) in Italy from '68 and the beginning of the 70s and, by the loss of an expectable and perceived as such a political solution and replacement of political objectives by the resurgence religious "solution". Not for nothing then follows the end of history Belbo, as it were (on the capitalist reality?) Desperate leftist intellectuals to the death of Enrico Berlinguer. Closely linked with this is indeed the search for knowledge - and for Italy more than other countries - for the right path of the left. Another piece in the puzzle of why the work was fascinating then to all those pages is just the fascination that emanates from this endless search for more and more knowledge. And the limited resources of history, to expand by conjecture to conjecture, which has always been his certain charm - and one can actually imperceptibly cross the threshold, some in holding free story-telling, the story plunges into his own creation ... But if you then can create a laundry list of a mystery? That is what the laundry list, Lia, Casaubon's girlfriend, has the "document" that the big plan is based, is identified as such acts disturbing. For odd, after having invented the whole story? It is believed to be but rather the spark of truth in it, for all rejected, so one has thought of. At least, a small but extremely fascinating element in the plant.
(33 [of the thought-out plan is true], 61 [always late born]; 64 [Revolution at the universities], 80 [The Dumb] 92 [Institute of Comparative Irrelevance], 102 [Hermits], 114 [End of the Crusades], 132 [city commission before rally], 160 [Agrippa von Nettesheim] 168 [ numerology], 169 [Joseph of Arimathea -> Grail], 188 [] lie to police, 243 [actual story;] not chronological, 277 [Foucault pendulum], 294 [self-published], 318 [SS -> Seven Dwarfs] , 423 [analogies], 426 [vertical = life], 453 [Alexander Nevsky in Estonia], 442 [the relevant compounds are] [-> Paulicians] 455; 545 [possessed by the book], 548 [used to it all join]; 627 [laundry list], 645 [obligation quote, by the life defeated], 651 [funeral of Enrico Berlinguer], 655 [-> Ragotgky], 658 [the "Tres"], 686 [Templi Resurgent Equites Synarchici], 728 [plan really]; 738] [Speech, 743 [The Trumpet -> Sky])
criminal history is summarized ansich quite short: three Milanese publishing editors are concerned, due to some change in the publisher program, comprising of secret societies, Conspiracies and esoteric. Based on a few points, with the extensive reading of published works to date, they created out of a newly discovered document, the discoverer seems gone, and with great joy literary work, a new world history. A world history of the conspiracy and mystery. The core of this accumulated history of secret societies, is a six hundred year plan of the Templars, divided into 5 section a 120 years, will be at the end of the re-discovery and exploitation of the navel of the world. Had not one of them, then killed as a result, lector, had Belbo, no desire to carry this great plan to be seen to do, so nothing had happened. But the plan is taken seriously, Belbo blackmailed, coerced, abducted to the final secret - the point of the navel, he did not know of course - to disclose. He is murdered, while his colleague while watching Casaubon alphabetic escapes from the secret societies and flees to the thinking of their great plan.
Another story is that of childhood Belbo, who was at the end of Italian fascism in his youth. Too young to participate this round, and not-participate in the freedom struggle of the partisans and regrets to his then-youthful, indifference is deliberately modest. It is this also results in reference to the establishment of the great plan and also in other areas of life, to feel that he is under of evidence and has the irresistible urge to finally triumph of truth and thus a better sense of its own accord. He succeeds when he says "no", the slopes immediately forthcoming. And yet he had succeeded in its infancy, already, albeit on a different level.
And everything depended on Jacopo, he needed to sell only to loosen the thread, and the sun would have jumped off like a ball, and with it the day and the events of that day, this phase without action, this sequence without before and After that expired motionless, just because he had the power to do so and it to do so. (743)
Based on these stories - and the likelihood of these secret sects - this is irredeemably search for knowledge. Which indeed underlies it going to be more of knowledge must, as it is known. That the world, the individual events of history, closely linked to, so they make sense. If yes, the classic hubris. It is about creating the opportunity to acquire knowledge and understanding - especially in spite of, always, lack of comprehensive and accessible information. After all, the mystery of a sort of glow on the edge of consciousness, an idea is that one has - and behind the one great thought. Equally, however, and it shows in the book by killing Belbo, one fears the loss of one's own purpose in life, if one were to actually decode the mystery.
Although me the extent of Umberto Eco's novels always be some hesitation, to begin to read, I never regret it, at least. On the one hand because of the numerous intertextual references and the bonds and to other works and events. On the other hand, because of the extensive integration into the historical context - in this case, the context of the disintegration of the political left (not only) in Italy from '68 and the beginning of the 70s and, by the loss of an expectable and perceived as such a political solution and replacement of political objectives by the resurgence religious "solution". Not for nothing then follows the end of history Belbo, as it were (on the capitalist reality?) Desperate leftist intellectuals to the death of Enrico Berlinguer. Closely linked with this is indeed the search for knowledge - and for Italy more than other countries - for the right path of the left. Another piece in the puzzle of why the work was fascinating then to all those pages is just the fascination that emanates from this endless search for more and more knowledge. And the limited resources of history, to expand by conjecture to conjecture, which has always been his certain charm - and one can actually imperceptibly cross the threshold, some in holding free story-telling, the story plunges into his own creation ... But if you then can create a laundry list of a mystery? That is what the laundry list, Lia, Casaubon's girlfriend, has the "document" that the big plan is based, is identified as such acts disturbing. For odd, after having invented the whole story? It is believed to be but rather the spark of truth in it, for all rejected, so one has thought of. At least, a small but extremely fascinating element in the plant.
(33 [of the thought-out plan is true], 61 [always late born]; 64 [Revolution at the universities], 80 [The Dumb] 92 [Institute of Comparative Irrelevance], 102 [Hermits], 114 [End of the Crusades], 132 [city commission before rally], 160 [Agrippa von Nettesheim] 168 [ numerology], 169 [Joseph of Arimathea -> Grail], 188 [] lie to police, 243 [actual story;] not chronological, 277 [Foucault pendulum], 294 [self-published], 318 [SS -> Seven Dwarfs] , 423 [analogies], 426 [vertical = life], 453 [Alexander Nevsky in Estonia], 442 [the relevant compounds are] [-> Paulicians] 455; 545 [possessed by the book], 548 [used to it all join]; 627 [laundry list], 645 [obligation quote, by the life defeated], 651 [funeral of Enrico Berlinguer], 655 [-> Ragotgky], 658 [the "Tres"], 686 [Templi Resurgent Equites Synarchici], 728 [plan really]; 738] [Speech, 743 [The Trumpet -> Sky])
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